eBooks

reading machineThe endless eBook debate grinds on and on and we do not propose to rehearse it yet again here: a host of sites are already doing that and the best illustration of the confusion and despair it provokes we have yet seen is this from Maria Langer.

Knocklofty sees two obstacles to the progress of the eBook which need to be overcome if it is to begin to fulfil its promise. The first is the need for a reader device which will do for books what the iPod did for music.

A number of devices, all with more than a degree of clunkiness, are beginning to contend for a share of an embryonic market bedevilled by incompatible formats and anachronistic business ideas. The device we would most like to see is this suggestion to Apple and we hope Steve Jobs’ wisecrack about nobody reading any more is, as is widely speculated, a ruse to conceal what may be going on in the back room.

The problem of the reader will eventually be solved. But the second obstacle is in the minds of publishers. One large Australian bookshop chain is offering a proprietary reader and a range of eBooks to go with it, but the eBooks themselves are priced at only a little less—about $5 less—than their printed equivalent. On top of that, the eBooks are subject to a digital rights management system which is as absurd as that promoted by the dinosaurs of the music industry.

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sharyn munroAustralian writer Sharyn Munro has become a convert to eBooks.

She lives in her wildlife sanctuary on a remote mountain top in the wilds of New South Wales, many miles away from the nearest bookshop along roads that are more like training ranges for tanks.

And like many writers, she can’t always afford to buy as many books as she’d like.

All writers are book addicts and they crave the physical presence and influence of books.

She didn’t think eBooks were for her—until she came across a collection of short stories by another Australian writer, Rachael Treasure.

The conversion was rather prompt, as she says in her review of Treasure’s Tales:

As a lover of the physical fact of books—their weight and feel, their look and smell, and their cumulative presence as they cover my walls—I have not been in favour of eBooks.

But I have just downloaded my first eBook, a collection of short stories by Rachael Treasure, and appropriately called Treasure’s Tales. It seems I had forgotten that what’s inside the book is after all the greatest pleasure.

As a keen short story writer and reader, I think this is a lovely collection of a writer’s progression, with finely observed details so that characters and settings are vividly real.

The stories themselves are surprising, quirky, perceptive, funny or moving, and whether set in rural or urban Australia, their human truths are universal. I thought the personal intro to each one was a great idea too.

The good plain prose makes them very accessible, as does this instant and inexpensive e-method of delivery from writer to reader. Terrific for isolated bushies like me. I can now see there’s a place for both types of publishing.

The A4 format means I’ll store Treasure’s Tales vertically, as I do magazines, and I won’t be re-reading them in bed—but I’ll certainly be re-reading them!

Sharyn Munro is the author of The Woman on the Mountain, reviewed by Knocklofty here and which can be ordered from your bookshop or from the publishers, Exisle.

Visit her beautifully written website.

And if you’d like to try your first eBook, you can buy Treasure’s Tales here.

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tales coverBest-selling Tasmanian author Rachael Treasure has released her first eBook, Treasure’s Tales — a collection of new short stories in her own humorous, earthy style, published by local firm Summerhill Publishing.

The collection shows how her writing has developed from the beginning as a 17-year-old university student until now as a still-young farmer and mother of two.

One of the stories introduces Rebecca, the central character in her first novel, Jillaroo, and another is an opportunity to meet Emily from her new book, The Cattlemen, a work now in progress.

Visit Rachael Treasure’s entertaining website to buy the eBook — it’s a bargain at only AUD$9.90 — or buy directly from our site.














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camus wreathTo mark the 50th anniversary of Albert Camus’ Nobel Prize for Literature, Knocklofty is offering a new translation of two of his plays, The Misunderstanding and Caligula, by Adelaide actor/director Christopher Williams, as an eBook.

Copyright restrictions on the use of the translations have been eased to allow bona fide actors, producers and teachers to freely copy the text.

The design of the book incorporates wide page margins for easier annotation and line numbering for easier reference.

Longer speeches are not broken by arbitrary page turns.

The eBook costs $A20.00.













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camus coverOn this day (October 16) in 1957 Albert Camus was having lunch with a friend at the restaurant Chez Marius in Paris when a young man sent by his publisher Gallimard approached the table, dismissed the waiter and informed Camus that he had been awarded the Nobel Prize for literature.

To mark the 50th anniversary of Camus’ Nobel Prize win Knocklofty will soon release challenging new translations by the Adelaide-based actor and director Christopher Williams of two Camus plays in a single volume — The Misunderstanding and Caligula.

Given the straitened circumstances of many theatre groups, especially in the educational sector, many of the usual copyright restrictions have been eased.

Christopher Williams’ intention has been to remove at least the first stage of ambiguity from the theatrical interpretation of the plays by electing to translate as plainly as possible rather than to impose his own world view on the text, as he contends was done by Stuart Gilbert in the Penguin translations of these plays — the most widely used texts.

He believes that the plain meaning of Camus’ texts can stand by itself without the need for interpretation; unadorned translation alone is all the plays need for the theatre to carry his message.

He says:

“My aim with this project was to strip away the veneer of approximation, overwriting and paraphrase that characterised Stuart Gilbert’s translations of these groundbreaking plays, then to locate (in English) the true voice of Camus the playwright. I leave it to the reader to assess how much I have achieved that aim.

“I am a translator, not a Gilbertian adaptor, and my motivation in tackling this project was to provide a fundamental text upon which actors and directors can build more truthful interpretations.”

The translations, set in a format designed to make the texts as useful as possible to actors, directors and students, will be released shortly in both printed and eBook formats.

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The second part of The Brasenose Bequest by Australian author Edwin Leane is now available as a free download.

The mystery of Nether Parkley, the dilapidated mansion left to Allan Neale by his enigmatic friend, the late Hugo Brasenose, takes another complicated and terrifying turn and the romance with his Irish cousin Kathleen deepens.

Go to our Downloads page to get your free eBook.

Part Three — the nail-biting climax — will be released in early October.

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Look out! The eBook is coming…

When papyrus was introduced by progressive scribes in ancient Egypt, it is certain that the more conservative elements in the profession held that it would never replace the clay tablet. In medieval times, the printed book was regarded as a frivolous innovation which could never replace the hand-made book. The spasms of persecution following its [...]

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Try the Little Herbal – free

Knocklofty will soon release the first six titles in its Little Herbal eBook series. They will tell you all you need to know about growing and using popular culinary herbs as well as the folkore and myth surrounding them. Here’s your chance to preview the Little Herbal: download the first in the series, Coriander. Other [...]

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The Brasenose Bequest – free eBook

The first section of Edwin Leane’s The Brasenose Bequest is now released as an eBook – and you can download it free here. The central character in The Brasenose Bequest is not a person. It is a crumbling, tree-shrouded mansion built by a fortune hunter from the far side of the world who found a [...]

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Knocklofty goes electronic

The economics of publishing are so dismal that only those with unusually deep pockets can hope to survive, and even they are having a hard time: Bloomsbury, who sold more than 300 million of the Harry Potter series, are reportedly in difficulty. It’s far worse for small publishers. They are now a critically endangered species, [...]

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